Construction has begun on the next production of Center Players’ season. Tony LeBue, Tony Dentino, Jonathon Rothman and myself, Jeff Caplan are hard at work building the set. Set construction is an interesting aspect of theater. It all begins with a design, an idea of the setting of the piece. Generally a director or set designer or both read the play and come up with a plan, then the design is drawn out to scale or sometimes it’s just a sketch on a piece of paper. Either way it’s the start of the process. Then in steps the construction team. They take the design and carefully lay it out on the stage using tape to make sure it all fits together perfectly. The next step is building out the walls using studs. Generally we measure out the studs to 48 inches on center to accommodate the luan pieces we use for the walls.
Many theater incorporate pre-built flats which is a lot easier and modular. However, because of the size and nature of our theater we custom build our sets. After building out the studs for the walls, we put up the luan sheeting. In this particular production a platform is called for to represent the bedroom. We framed out the width and length of the platform and built a frame. We then attached the legs to the frame and attached thick plywood to the top of it and ensured that it could hold multiple persons. We always go by the rule measure twice cut once. Detail is paramount to this theater group.
Next we put up the sheets of luan. This creates the illusion of interior walls. Careful attention is paid to adhering to the set design plans.
The next step in the process will be to add the moulding and finishing touches and then to paint. The last step in the process is to dress the set with pictures, statues, furniture and nay decorative pieces that fit the design. All of this must be done to period. Since Brighton Beach memoirs is set in the 1940’s, we need to make sure all of our pieces our consistent with that period. Thsi can be a challenging task. In a space as intimate as this is, everything must be as authentic as possible. Clothing, props and set pieces all must have the look and feel of the era.
There is a lot that goes into the production of a “period” piece such as this, but in the end it’s all worth it. The final product shines as we strive to present the most detailed show that we possibly can. We hope you will join us for this fantastic production of Brighton Beach Memoirs opening April 17th and running through May 17th. Check our website for details. www.centerplayers.org
It’s a Hit! BOEING opens to rave reviews!!!
by Muriel J. Smith
Bayshore Courier News
There have been some very funny and highly entertaining plays at the Center Playhouse, but the production currently on stage has to rank up there as one of the very best on this or any other stage.
Boeing Boeing , written by Marc Camoletti and directed by Joseph Stefanelli, has a story line that guarantees a laugh or at the very least a hearty chuckle every minute; literally.
Stefanelli, who is proving he’s every bit as excellent a director as he is an actor and co-producers Greco and Colleen DeFelice were masterful in casting this two-act comedy; every minute of the play proves that here at Center Players, there is a team that excels, works together, and as a result is highly successful in producing a smash hit in which every one of the six actors stars in his own right.
Timing: That’s the first key to the success of Boeing Boeing Set in an apartment near Orly Airport outside Paris, the play features Bernard, perfectly portrayed by JD Wilson, a playboy trying his best to keep three different beautiful women, all airline hostesses on different airlines, at bay from each other while all think each is his only heart throb. Action hits a pitch when the airlines and weather alter schedules, and Bernard and his long time friend, Robert, again, perfection in action as portrayed by Daniel Conroy, find themselves with all three women in the apartment at the same time. The timing comes in the slamming of doors, entry and exit of each of the players, and the precision of each of these movements as the men work at a fever pitch to get the females apart.
Energy: That’s the next thing that sets Boeing Boeing a cut above the rest. Six gorgeous young people: Conroy, Wilson, flight hostesses Kelsey Mackler, portraying Gloria the American, Annabelle Magnusson as Gretchen the German, Kate Pentek as Gabriella the Italian, and finally a grouchy yet cheerful and endearing maid played by Amy Garland Goldman, cavort, race, run, lift, toss and frolic with each other across this tiny stage, never missing a beat in their action nor tipping over a glass or table in the melee. Again, timing is everything and this team has it down pat.
Teamwork: It’s easy to see that while everyone in the cast is brand new to Center Players, they’ve certainly worked together in other venues and are bringing a giant sized trunk full of talent to the Freehold arena. Even Wilson, a military veteran (and just that is enough to thank him for!) and fifth grade school teacher who just hit the world of theater in the last year, has already made a name for himself at the Count Basie in Red Bank with Phoenix Productions, to say nothing of his writing ability and starring role in PL@Y, which raised $10,000 for the Ashley Lauren Foundation.
Perfection: That’s here, too, as evidenced in each actor pulling off funny and crazy stunts which could very well be disastrous and harmful to health and happiness should any one of them go wrong.
If there’s any one ‘star’ in this all star cast, it’s Bernard the playboy. Wilson, tall, handsome, with expressive eyes and quick wit, is strong, masterful and flawless, has great delivery and artistic and comedic skill. But then again, Conroy’s delivery and expressions are mesmerizing and attention getting. As for the flight attendants, each actress portrays her character with an intriguing accent, great delivery, and passion. And Goldman’s caustic side glances, her abrupt one liners and her interaction with the entire cast are all belted out with timeliness and gusto. This is truly a cast where each one deserves special acclaim and admiration.
FEBRUARY 13th – MARCH 8th
Fridays & Saturdays at 8:00 PM
Sundays at 2:00 PM
At Center Playhouse
(35 South Street, Freehold)
$25 – Adults*
$23 – Students & Seniors*
* Plus $2 Processing Fee.*
TICKETS NOW ON SALE!
Seating is limited per performance so
get your tickets TODAY! Call the box office at
(732) 462-9093 or visit us online at
Center Players of Freehold
Freehold’s Award-Winning Resident Theater Company
announces OPEN AUDITIONS for
BOEING BOEING by Marc Camoletti
Directed by Joseph Stefanelli
American architect and rich playboy Bernard is living a beautiful life in Paris surrounded by his lovely fiancee; the real question is WHICH one? He has an Italian, German, and American fiancee, each a beautiful airline hostess with frequent “layovers”. He keeps “one up, one down and one pending” until unexpected schedule changes bring all three to Paris and Bernard’s apartment at the same time. Prepare for a hilarious take off with BOEING BOEING, a night full of hijinks and tomfoolery.
Sunday, December 14th & Monday, December 15th
at 7:30 PM
At Center Playhouse
(35 South Street, Freehold NJ)
ALL ROLES OPEN! Looking to cast the following roles …
BERNARD: male, 20s-30s. An American architect and swinging bachelor. He is a combination of Don Draper and Jack Tripper. A ladies man who thinks he has the fairer sex completely figured out.
BERTHA: female, 40+. Bernard’s long-suffering housekeeper, cut from the cloth of the comedy of manners. Seeking French accent.
ROBERT: male, 20s-30s. Bernard’s old friend. Not a worldly chap. Jerry Lewis to Bernard’s Tony Curtis.
GABRIELLA: female, 20s-30s. The Italian fiancée, with a casual sensuality. Seeking Italian accent.
GLORIA: female, 20s-30s. The American fiancée, with an upbeat disposition.
GRETCHEN: female, 20s-30s. The German fiancée blessed with an aggressive nature. Seeking strong but outlandish German accent.
~* IMPORTANT NOTE ON THE ACCENTS: Please do not let the accents startle you or inhibit your audition process please know that there will be various directors, coaches, and actors who will be working with those cast throughout the process to ensure the best final results.
~ Please bring your resume and headshot (if you have one).
~ Due to the shortened rehearsal period please make sure you are aware of your conflicts when auditioning.
~ Cold readings will be conducted from the script, a general knowledge of the show is recommended.
~ Performances from February 6th – March 1st, 2015 ~
Fridays & Saturdays at 8:00 PM
Sundays at 2:00 PM
ONE WEEKEND ONLY!
Your favorite veteran actors turn Center Playhouse
into the PERFECT “Home for the Holidays!”
Inspired by the classic holiday film, “It’s a Wonderful Life” is performed as a 1940s radio broadcast in front of a live studio audience featuring onstage Foley sound effects, vintage radio equipment, period costuming & radio commercials all set to the soothing sounds of your favorite holiday standards. Five actors gather on Christmas Eve, 1946, to perform the dozens of characters to bring this heart-warming tale to life.
DECEMBER 12th,13th, & 14th
Friday and Saturday at 8:00 PM
Sunday at 2:00 PM
Tickets are only $15 for this
Seating is EXTREMELY LIMITED so call the
box office TODAY at (732) 462-9093
or purchase tickets online at
Oh, you just have to see Bus Stop!
It was so exciting seeing the opening night at Center Players, this great award winning theater in Freehold, especially after having the privilege of seeing several of the rehearsals and going with the producer and artistic director when they sought out all the props at antique stores and junk yards. For me, it was magical to see how a play comes together.
But even more exciting, was the little bit of backstage information I was able to garner. I always like to sit in one of the front rows in any live performance theater…and I have often heard how my laughter at a funny line or my too-loud giggles at a particular situation have made a difference on stage. But after seeing rehearsals and being at opening night, I could see it myself! The audience really does make a difference to the actors.
Actors who were always fantastic during rehearsals, albeit missing a line or a word or two, actually shone and projected so much more in front of the audience! You could almost feel the enthusiasm on stage when there was uproarious laughter from those in the seats of this intimate little theater. Director Jeff Caplan had told me the audience truly becomes part of the play, but it was wondrous to see it first hand.
The cast was magnificent..every last one of them! Two generations of Brett Sabo’s family…her mom and her eight year old son Evan, sat behind me and were obviously very proud to be part of the opening night audience. For very good reason.
Brett played Grace Hoyland, the owner of Grace’s Diner, where all the action took place. And she was dynamic! Brett’s timing made the difference between belting out a funny line, and pouring out laughter to a very pleased audience. Beforehand, Evan exuded confidence his mom would be terrific, primarily because “she’s been in lots of plays and she’s always good!” but even he was more enthusiastic at intermission after he saw and heard her in Bus Stop. Brett’s mom, also an actress in some Brookdale Community College presentations, was also quite proud of her daughter’s accomplishment at this little theater on South Street.
Joe Orlando, who played the role of Bo Decker, the young, macho cowboy seeking to marry pretty chanteuse Jennifer Karmazin, absolutely shone in his very funny one liners. Here again, his timing is what made the difference between funny and very funny lines. He was great. Jennifer herself showed that in addition to great acting, she also has a beautiful singing voice…and can make a very speedy change of clothes in a less than perfect setting!
Kudos to Jeff Caplan, who has long ago shown his excellence as both director and actor, but did it again in Bus Stop. Jeff proved that gathering together a cast that has never acted together, most of whom have never appeared on stage in Freehold, and including one who has never ever acted before at all, PLUS taking on one of the roles himself, was not really a challenge at all. At least, that’s the way the finished product made it seem.
A veteran of the stage and behind the scenes at Center Players, Jeff the Director also took on the role of Carl the actor when he couldn’t find the perfect actor during tryouts to portray Carl the busdriver. His facial expressions, timing, and on stage presence also are indicative of his vast experience.
Similarly, Tom Cox, who portrayed Virgil, Bo Decker’s confidante and mentor, and who came fresh off the New York Shakespearean stage for this role, showed outstanding experience. Take your eyes off the main action during any part of the play, and watch the ‘uninvolved’ actors. Tom and the others kept themselves busy bringing realty to the stage. Hard to say how many times the pretty and pert Kate Barron, who played teenager Elma Duckworth the waitress, cleaned the counter or wiped off the table, but like Tom, she stayed busy and was realistic. Kate is another actress with plenty of wonderful facial expression; her enthusiasm for the role spilled over by the bucketful. Hopefully we’ll see more of her with Center Players.
Without being insulting, it’s safe to say David Clarke made a very convincing drunk! He was funny, endearing, believeable, and just plain great in the part.
But Freehold can take special pride in their own Sheldon Fallon, the insurance man turned actor as a brand new septuagenarian! Sheldon was the town sheriff who took on the young Bo Decker and kept order in the diner as well as in the blizzard outside the door. Looks like Sheldon has been bitten by the acting bug and hopefully will be back on stage again in the not too distant future.
Producer Colleen DeFelice played double duty, as in being involved for the last few weks I have learned to think is second nature. When a crew member called to say he was ill and could not be there, this very able, and very efficient producer stepped in to stage manage…along with her other volunteer jobs. But given Colleen’s penchant for perfection, it all went off well without a hitch!
Bus Stop is playing through November and is a delightful evening of entertainment. The Signature Series presentations of Center Players are always close to spectacular, but Bus Stop, with its humor, drama, beauty, and talent is the perfect way to celebrate an occasion, enjoy a night out, or just simply to welcome autumn!
Bus Stop, written by William Inge and directed by Jeff Caplan, opened at Center Playhouse, 35 South Street in Downtown Freehold, on October 10. The show runs for five weekends through November 9, with performances on Fridays and Saturdays at 8:00 PM and Sundays at 2:00 PM. There will be no performance on Halloween, October 31. There will be an additional matinee performance on Saturday, November 1 at 2:00 PM. Tickets are $25 for Adults and $23 for Seniors/Students, and include desserts and refreshments at intermission. Group rates for parties of 10 or more are available. Seating is limited, so call the box office at (732) 462-9093 or visit us online at www.CenterPlayers.org to purchase your tickets.
By Muriel Smith
Muriel Smith is a guest blogger for Center Players. She grew up in Union, NJ and lived in Highlands for more than 40 years, working as a newspaper writer/editor before leaving home with her husband 15 years ago to live in an RV and visit every state in the Union before determining that Monmouth County is still the best place to live. She’s now settled comfortably in Freehold.
With the opening of BUS STOP just a week away
we wanted to turn the spotlight on the Director of
this upcoming production, Center Players’ veteran
actor & director, Jeff Caplan.
Over the past several years Mr. Caplan has been seen in a number of productions including: 20th Century, Doubt, How the Other Half Loves, Mr. 80%, All My Sons, and Miracle On 34th Street: A Live Radio Play.
In recent seasons, Mr. Caplan has directed our productions of Neil Simon’s Laughter On the 23rd Floor and last holiday’s A Christmas Carol.
With less than three weeks to go before opening night, you’d think Center Players Director Jeff Caplan would be running around frantically, jumping up and down excitedly, screaming hysterically when things don’t go exactly perfect, and carrying on like a maddened director. That’s what you’d think, right? Not if you know Jeff Caplan. Instead, this Jeff Caplan, of both director and actor acclaim, is as cool, calm and collected as always. It doesn’t appear that anything rattles his cage.
At a recent rehearsal, Jeff sat quietly while the rehearsal went on. It appeared he was studying the faces and expressions of cast members as they went through their parts. Occasionally, he rubbed hi chin in thought, sipped idly at a cardboard container of coffee, or whispered a thought or two producer Colleen DeFelice. Colleen sat sipping her own cup of coffee anf following the script, ready to give a “line” when an actor forgot or omitted one.
This week, Jeff added another chore to his already busy schedule. Director Jeff Caplan, in addition to directing BUS STOP which opens October 10th, will also be Actor Jeff Caplan, portraying Carl, the bus driver whose long distance bus is stranded at a roadside diner waiting out a blizzard.
I got the chance to seat down with Jeff for a few minutes after a late night rehearsal recently, and got a little more insight into what makes him such a terrific theatrical person.
As far as directing the play, Jeff never quits. After next week, the cast and crew launch into Tech Week, the time when the director goes over all the lights, sound, equipment, movements on stage, voice, lines, and all the other big and little things that go into ensuring perfection. He’ll make changes here and there, but he adds that “there’s always a little tweaking, even after the show opens.”
That’s because, Jeff explains, “the audience becomes part of the performance.” He admits to watching the play every one of the 15 nights it’s on stage, and making changes according to the interaction with the audience. “If an actor says something in a certain way and it gets a big laugh, then we’ll change it to incorporate the new words or expression for the rest of the performances.” Similarly, if it appears that something “doesn’t work” with the audience, then he’ll make the modification to change or delete it.
“Every audience gives energy to the actors , “ he said, “they become part of the show, and the actors can react to their energy.” I guess that’s why they call it live entertainment!